This series is an experiment in clinical indifference. I capture plants with the cold precision of a specimen record, extracting raw textures—veins, fluids, and tension—without sentiment.
The subject is "Botanical Agape": a biological cycle that simply lives and decays, possessing no intent to seduce. Yet, the silence of the subject acts as a vacuum. When the human gaze confronts this indifference, the viewer inadvertently projects their own latent desires into the void.
Sedimented onto Kyokushi paper, these images do not contain eroticism; they act as a mirror of interiority, reflecting the "Time of the Flesh" that resides solely within the viewer.
Theory of Absence
